“Looks can be deceiving,” or how about “don’t judge a book by its cover.” Some good terms to describe Sixty Cycle, a band whose members include former Primer 55 bassist Kobie Jackson on vocals, Al Jacob (Sound of Speed) on bass, Woody Wurzburg (Vibrosoul, Redbelly) on drums and Ronnie Paige on guitar. As one person expressed, “they look like a metal band,” but in fact they are a band whose songs reflect a new generation of Commercial Rock. With acoustic guitars interlaced with emotional lyrics Sixty Cycle proves that looks are deceiving, but when you least expect it they play the part of their appearance and play outright rock with roaring guitars and unsullied vocals.

On their Self-Produced E.P. Sixty Cycle shows that they are ready for stardom. On their first song “Ordinary,” they show flashes of greatness. With acoustic guitars blazing the sound can be attributed to the Goo Goo Dolls except for the fact that Kobie Jackson’s vocals are more heartfelt and stronger.

“Carried Away,” is a song with an infectious chorus courtesy of Kobie Jackson and Ronnie Paige whose infectious guitar playing will have people humming along with the song. The lyrics are heartfelt enough to jerk tears from the eyes of a stone cold killer. Not to be forgotten the bass and drums give the background of the song a feel of power as well as the strings that accompany the vocals of Kobie Jackson.

“Punch in the Face,” follows the guidelines of the title. Coming out of the blue, the guitars are again blazing with an infectious beat provided for by Woody Wurzburg and Al Jacob. Kobie Jackson lets it all hang out with his infectious vocals and provides the heart of the song. “Punch in the Face,” can only be attributed as a song to accompany a fight scene. The final song on the E.P. “2 & Ten Low,” starts off with heavy guitars and strong vocals but gives way to a peaceful chorus. The feel of the song goes from slow motion car chase to a make-out in the backseat mood, and back again. This song pretty much sums up Sixty Cycle. They are what is commonly referred to as a Sabra (a fruit grown in Israel), which is tough on the outside with a soft center.

While unsigned at the time of the article, Sixty Cycle shouldn’t expect a long wait in that category. Their talent is apparent throughout the E.P. and their experience can only serve as a plus. The only problem they may encounter is the schizophrenic feel of their music, yet that can work to their advantage, as they are able to appeal to a wide range of listeners.

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